Body image : page 2..........Talent Development Resources --..home page...site map
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![]() .. .. She admits: "My boobs are killing me - and I don't know if I can stand the pain any longer. "My boobs have been a trademark for me - but I've paid one hell of a price." Thomas Crosbie Media / breakingnews.iol.ie 27/09/2004 ~ ~ ~ I've created this and played it up -- the makeup, the whole persona. I've over-exaggerated and made things worse. But I've had a good time doing it, and it all came from a serious place: a country girl's idea of what glamour is. But this isn't all I am. It's not even most of what I am. |
![]() .. .. I actually had a girl express surprise at the fact that I could string a coherent sentence together once. She said she assumed I'd be much less intelligent because I was so top-heavy. I was so amazed I was speechless. from Bust magazine / The Lounge / The Mammary Monologues ...Dolly: My Life and Other Unfinished Business CD : Halos & Horns |
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![]() .. .. Of course! Male musicians can slap on a pair of jeans that they've worn two weeks in a row, and girls are all over them. But as a female, you have to be groomed and manicured -- not that it's bad. I like to feel feminine. I like to get dressed up. But now what someone wears is more important than the actual craft, than the art, than the record, than the film. And there is this intense pressure. I'm pretty shy about things that I wear, and I don't want to wear six-inch heels and a bra and a miniskirt on the cover of a magazine. And, at first, I'd show up at a shoot, and there'd be racks of six-inch heels, bras and miniskirts for me to wear. Mandy Moore.....[from rollingstone.com interview] |
![]() .. .. No matter how much pressure there was to have this image that wasn't me, I just couldn't do it. ... Now that I'm 19... I will say, though, that I'm really enjoying being a woman. Just eight months ago, I got boobs! ... I'm probably 15 pounds heavier than I was four years ago; I even have hips now! So I'll do sexier photo shoots than I used to do, because I've grown into my own skin. Mandy Moore .... [Teen People Nov 2003] |
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![]() .. changing self-perception through natural nudes Dear Domai, After months of casual glancing around, I found your site. I was completely shocked at how stunning these women are! And how effortless they displayed their beauty for their pictures. I myself have a rather large bottom and bosom and curvy features and thought that in order to be considered pretty I had to be skinny.... |
I
was proven wrong. The women on your site have no set mold... they
weren't squeezed into cookie-cutter designs and popped out like some
machine to make other people feel bad. On the contrary... after a while
of looking at these beautiful women.... I myself began to have more
confidence....
I don't have to be a skinny blond with perky breasts and an ant-waist with perfect skin. I don't have to have satin skin. It's doesn't have to be perfect. ... I want you to know that you helped me come to that. Thank you. Kaitlyn from DOMAI news - December 16 2004 - photo : Helen - from related book : Natural
Beauties: |
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| "Loving
Care" is a performance where I use Loving Care hair dye, natural
black.
I dip my hair in it and proceed to mop the floor with my hair. When I begin the performance, the room is filled with people. As I slowly mop the floor, I mop the people out of the room. This is an important aspect of the piece, because what I'm doing is very vulnerable. By mopping the people out of the room, I take over the space, and that's empowering. A lot of my work deals with traditions of art-making. I was interested in the tradition of painting, and the relationship between the notion of aesthetics passed down to us through art history and the ideas of women and beauty. |
In
many of the pieces, I work with both forms of aesthetics
simultaneously,
hopefully calling both into question.
So for me, this piece relates to abstract expressionism, to Jackson Pollock and probably most closely to Yves Klein, with the performances where there were women covered in blue paint and then rolled on the canvas. Klein has a great quote: "Rather than to paint the model, I wanted to paint with the model." My response is that this is about the conflict of trying to be the model and the master at the same time. |
[City Arts / thirteen.org interview 1996] artwork: artist bio on PBS site Art:21 represented by Luhring Augustine [site] related
books: Janine
Antoni David Campany. Art and Photography |
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It can be difficult for a beautiful woman like Salma Hayek to find artistically challenging roles; so much attention is paid to all their facial expressions, and they keep seeing themselves all the time. Julie Taymor - paraphrased from Bravo TV profile of Hayek Sep 2003
Julie Taymor [right] directed Salma Hayek in Frida (2002)
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[Princess Vespa has been given a gun] Princess Vespa [Daphne Zuniga] : I ain't shooting this thing, I hate guns.
[her hair gets singed by a laser]
Princess Vespa: My hair, he shot my hair. Son of a bitch! [Begins blasting]
[Spaceballs, 1987]
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| The
road to self esteem is not an easy one, especially when there are jerks
out there like Mark Eden exploiting female insecurities. I bought my
first
Mark Eden Bust Developer at a rummage sale at St. Catherine
Labouré
Catholic Church in the late 1970s.
I thought I was buying an icon of sixties misogyny, but for my fifty cents, I received what football fans would call a late hit. As I paid for this "fabulous object," the church lady running the rummage sale remarked, "You look like you could use it." ... Indeed, the Fabulous Mark Eden Bust Developer is a true example of a complete lack of taste with the goal of exploiting women's vanity and insecurity in order to make heaps of money. Fortunately, this effort failed due to the intervention of the U.S. Postal Service. Julie Mangin - photo and quotes from her site: Julie's Tacky Treasures |
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![]() .. .. We give up some things for others that mean more to us. It's going to feel a lot better when you're winning a gold medal than it does feeling bad when one guy doesn't like you because you have big muscles. So it's a trade-off. |
We
want to be feminine, like any other girls, but we have this whole other
side to our life, where we work our butts off every day doing something
we love. To face something very challenging on a daily basis is
something
not many people do.
You feel like you've accomplished something huge. There's nothing better than having a great workout, and doing that over and over again really gives you an edge on other people - especially growing up. You feel you can conquer things. I think any female athlete has a sense of being kind of like Wonder Woman. You are able to do things that are a little closer to superhuman than normal girls. There's a little bit of Wonder Woman in everyone. Jessica, age 20 photo:
Stanford University women's *from Girl Culture by Lauren Greenfield |
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| It
has taken me a long time to achieve this degree of acceptance of my
breasts.
There were many years when I despaired at the sight of my shirt lying
practically
flat against my chest.
I would spend time searching for fluffy blouses to suggest there was something more underneath there. My discomfort with small breasts was more than just cosmetic. I felt the lack as a poverty of being, as if my very nature were somehow stark and bony. A hollow chest equaled a hollow heart. I was so used to this feeling that it puzzled me after I gave birth to my first child and began walking around in public with those big, lactating breasts on the same old skinny body. Suddenly, and unexpectedly, I was turning heads on the street. Later, when I saw my first copy of Playboy, I experienced a shock of recognition. My God, I thought, these women all look like nursing mothers. ...Carolyn Latteier |
![]() an American Obsessionby Carolyn Latteier Focusing on adult joys and anxieties about breasts, sex, and breastfeeding, this text uses research and expert opinions from several different fields, including psychology, anthropology, sociology, mythology, and sexology. Topics include: breast implants; human psychology and breasts; beauty standards and breast sexuality; how breasts are portrayed in mythology and art; adolescent girls and breasts ... [Amazon.com review] |
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Natalie Portman in "Developing" (1995) - a short-film directed by Marya Cohn, about a single mother dealing with breast cancer, and her daughter reaching puberty ~ ~ ~ ~
"They're Real" Actor Agnes Bruckner poses for photographers as she arrives as a guest
at a film premiere, April 19, 2004. [Assoc Press]~ ~ ~ ~
I think I'm very much a divide between a chick and a bloke. I don't ever feel that I am in any way more feminine than masculine. I don't try to utilize or manipulate my sexuality to gain what it is I need in life. [Isn't getting your breasts enhanced manipulating your sexuality?]
No. I'll tell you what that's about. If I were a boy, I'd be a t*t man... That was for my own fun. That happened way before I started acting. ***Rhona Mitra
*** [GQ Mag., Oct. 2000] / image: as Dr. Alejandra 'Ollie' Klein on series "Gideon's Crossing"
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![]() .. .. Soon, her producer convinced her to get breast implants, and her record label paid for the surgery. Magazines began approaching her, and she began her acting career. |
Kari
says, "After
I got breast implants, I felt like I could compete with the women in
Hollywood.
I felt so powerful.
"But it was a mask. The older I got, being naked [in films], the more vulnerable I felt. And all of a sudden, the boobs weren't working any more." Kari did some serious soul-searching and got in touch with her spiritual side... The more she started liking who she was inside and building self-esteem, the more her implants became embarrassing to her. After 13 years of "fake boobs," Kari removed her implants and is a natural AA cup. She says, "Now I'm unique in Hollywood!" [Oprah.com Oct 14 2002] |
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"To
be completely
honest, I had silicone [implants] in me from 1986 until about a year
ago
and it messed with my memory cells," Sally Kirkland says. She
says
that at the time, her trouble with memory affected her ability to
recall
lines.
"When I was doing a one-woman show about four years ago I tried to get off book (memorize) with 70 pages," Kirkland says. "It was almost impossible because of the amount of toxicity all over my system. The silicone is out of me now." from Channel2000.com interview by Steven Sato [posted on sallykirkland.com] |
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* related sites:**Breast Talk - Information on breast implants, feeding and more; what women from around the world have said about their breasts; Breast Talk Forums etc.
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..books:
The Breast Book: An Intimate and Curious History by Maura Spiegel, Lithe Sebesta
Cleavage: Essays on Sex, Stars, and Aesthetics -- by Wayne Koestenbaum
Cleavage: Technology, Controversy, and the Ironies of the Man-Made Breast by Nora Jacobson
A History of the Breast by Marilyn Yalom
"Marilyn Yalom, a senior scholar at the Institute for Women and Gender at Stanford University...
traces the perception of the breast through the centuries to the present... draws from a number
of historical disciplines -- art, medicine, psychology, and politics.."The True Meaning of Cleavage - by Mariah Fredericks
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![]()
Lisa Yuskavage
Do her figures exaggerate or ridicule and deflect the male gaze? Do they perpetuate the stereotypes that assault women every day or illuminate some of the more private and at times darker corners of the female psyche, including those moments of searing self-reproach when a woman appraises her appearance and finds it wanting?" [from 'Lisa Yuskavage: Bad-Girl Painter' By Roberta Smith, The New York Times, Jan. 12, 2001]
painting by Lisa Yuskavage: 'Day' - from Institute of Contemporary Art, Philadelphia site: icaphila.org
book: Lisa Yuskavage by Lisa Yuskavage, Katy Siegel
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*******
from photograph:
Closed Contact No.1 Jenny Saville then accepted a scholarship from a group of American collectors, who
arranged for her to make photographs of women in the process of having cosmetic
surgery in the office of a prominent New York surgeon.When she returned to England in 1995, the experience inspired her to do a project with
a filmmaker and an award-winning fashion photographer who did the 1997 Prada campaign.The results are nude self-portraits, created with Glen Luchford's help. Although Saville
is not fat, she pressed her body against glass to create a voluptuous effect. The
photographs were printed on the scale of large paintings, some more than 6 feet tall."The photographic experience reinstalled my belief in painting," she later said.
[LA Times, January 13, 2002] / more photographs on Gagosian Gallery site gagosian.com
**books:**
Sensation : Young British Artists from the Saatchi Collection
Young British Art : The Saatchi Decade by Sarah Kent
~ ~ ~ ~************sculpture: "Lily at 14"
Lily lies on the earth more lightly than morning, open to the newness of this dawning day.
Her young breasts and thighs soften, they sigh over the lost angularity of her body.
Blood weaves a lullaby into her womb, teaching her to dance with the moon,
to ebb and to flow with the seasons, with tides.The series of 13 sculptures that are depicted on this site and are at the heart of the Real Women project
seek to unveil and celebrate the diverse beauty of women. The pose each woman chose ultimately expresses
her individual experiences of living. The number thirteen reflects the thirteen moon and menstrual cycles
in a woman's year.The dream behind the series is to use the power of art to aid in healing and to challenge our blind adherence
to rigid cultural ideals of body image.**from site:** The Real Women Project
".. helps women realize and celebrate their inherent beauty, dignity and capacity for transformation.
Rooted in the belief that self-acceptance is the foundation for mental, physical, and spiritual health,
the Real Women Project uses sculpture, poetry, video, music and storytelling to inspire dialogue and
self-awareness, to broaden our definition of beauty, and to deepen our experience of well-being."
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In [the movie] Valentine, Jessica Capshaw plays Dorothy, who was chubby and troubled in the 6th grade and still feels something of an outsider 10 years later. "That resonated with me," Capshaw says, gently, "because I was a chubby little kid myself. It meant I had to cultivate other sensibilities -- intelligence and humor -- instead." ..
[Talk magazine, Feb. 2001]
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| I
think I was always more intimidated by my image than anyone else. I
mean,
there's a tremendous loss of self, because you really are in a job
where
this image has been created. ... I like beautiful people, I like
beautiful
things, I like beautiful poems, beautiful literature, beautiful
paintings.
I love beautiful nature.
But the thing that was so piercing for me was that things aren't beautiful without substance. It's like a plastic flower; it looks so attractive and you want to take in the fragrance, but then you go to inhale and you suddenly realize there's nothing there. And I felt like I was getting into that, that I was sort of in danger of having that happen to me. Because I think I soaked in too much the way that people were objectifying me, and the more that they did, the more I did. ... I really think that sexuality -- if you are a person than can elicit that kind of response -- gives you a lot of power in a way. But it's a very specific thing. It doesn't really open the door to other things, because sexuality is traditionally something that's behind closed doors. So really then, you're only a fantasy figure. And if you're a fantasy figure, nobody wants to wake up from the dream. Nobody wants you to be in real situations. It's just not very fulfilling to be a "thing" day after day. *Raquel Welch***[cigaraficionado.com July/August 2001]**>> bottom image: "One Million Years B.C." [1966] |
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| A
team of researchers reported in the Journal of Personality and Social
Psychology
[1998] that women who wear skimpy swimsuits find that their ability to
solve academic puzzles shrinks.
On the other hand, they said, men baring the most flesh appeared to fare even better in the tests. The problem, says psychologists Barbara Frederickson of the University of Michigan and Tomi-Ann Roberts of Colorado College, is that women are so self-conscious about baring their bodies that they tend to "step outside their bodies" to view their looks critically. Female test subjects "were so self-conscious about wearing a bathing suit that it affected their mental alertness," Roberts said. "Women are raised in a culture that has them habitually monitoring their bodies," she added. "When their clothes come off, they can't concentrate on anything apart from how they look -- but it's no big deal for men," who did not appear to associate their appearance with any such powerful negative emotions. .....[from ThirdAge.com story] |
![]() .. .. ,.. , image from BUST magazine boobtique ....The
Lanahan Readings in the Psychology of Women |
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