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10 Tools for Dealing with Criticism and Rejection - by Linda Dessau
Whether it's feedback we've asked for, an unsolicited remark called out from the audience or a simple "no" result of an audition, criticism and rejection are a huge part of our lives as creative artists.

Actors and Addiction - by Douglas Eby
Best Actor Oscar nominee Philip Seymour Hoffman [“Capote”] admits he used drugs and alcohol earlier in his life. A lot. "It was anything I could get my hands on. I liked it all." He got sober, he says, because "I got panicked for my life." An exceptionally talented actor, Hoffman is far from alone.

Addiction to Fame and Celebrity by Sam Vaknin, PhD
Being famous encompasses a few important functions: it endows the narcissist with power, provides him with a constant Source of Narcissistic Supply (admiration, adoration, approval, awe) and fulfils important Ego functions.
  

Many talented film actors report they don’t watch their own movies. When you can be seen in close-ups on twenty foot high theater screens, it may be especially hard not to criticize your appearance and performance. Joaquin Phoenix has said he doesn't like how his teeth look, or his lips. ///

Geena Davis, playing the lead in the tv series “Commander in Chief” thinks “you could scratch the surface of most actors and find insecurity played a big part in their drive to become successful." 

   > from article Being Creative and Self-critical - by Douglas Eby

 

Break Through Self-Doubt and Fear - by Simma Lieberman
Self-doubt and fear interfere with our ability to achieve or set goals. Self-doubt and fear are the voices in our head telling us, "You'll never succeed, so why try?" and "who do you think you are?" Self-doubt and fear are also what make us listen to those voices and decide to give up before we get started. While self doubt and fear can come in different forms and from different sources, we can learn to break through them.

Breathing Out Stage Fright - by Linda Dessau
Stage fright comes in many different forms... and has huge repercussions to the health and well-being of the performer. Dr. Louise Montello of Musicians Wellness, Inc. has worked with injured, blocked and anxious performers for many years, and has developed a rich set of tools that we can use in moments of stress and anxiety.

The Dark Side of Beauty - By Douglas Eby
A number of women have said that it can be a liability, and a new Psychology Today article says that ”very attractive kids may grow up to be insecure adults, especially if they were praised solely for their appearance.” ... Actor Evangeline Lilly [of “Lost”] admits, “I spent many nights crying myself to sleep wishing I was ugly because of the way men leered and disrespected me, because they assumed things about my mental capacity or my physical willingness based on the way I look."

The Dark Side of Fame - by Douglas Eby
Many creative people actively pursue fame, or at least endure it, as a way to advance their careers. But fame may also be driven by hidden emotional needs, and can lead to harmful expectations and distorted thinking on both sides.

Ego and Creativity by Douglas Eby

Hollywood is Hard  - by Amber Tamblyn
"Honestly, I am not trying to discourage anyone from becoming an actress, but if you want to become one be prepared to face everything that comes along with it. There are two different types of people who want to enter the business: those who want to act because they recognize their natural talent, or believe they can learn the art, and then there are those who desire fame. If you think you have what it takes, then get your butt out there, and go for it!"

The Inner Critic  (an issue of Living The Creative Life newsletter - includes book references on dealing with destructive self-talk)

Kids On Stage  by Douglas Eby
"Children seem to be born actors, to love playing parts, even ones their parents would just as soon live without : "I was an ugly little kid with a big mouth, an obnoxious show-off". That is a recollection from someone who not only learned better parts to play, but has inspired many of us with her power to act : Meryl Streep."

Negative self-talk by Douglas Eby
"When negative self-talk robs us of our enthusiasm for our dreams, we're suffering from the classic creative block... Self-criticism can seriously injure potential talent that wants to be expressed."

Performance Anxiety - by Margaret Paul, Ph.D.
Beverly had suffered from anxiety most of her life. As a child, she slept poorly and often had nightmares. ... What was causing her anxiety as an adult? Beverly had never learned how to be a loving parent to herself, because her parents had not been loving to her or to themselves. ... As Beverly slowly learned to be a loving inner parent rather than a critical one, her anxiety gradually diminished.

Preparing For Performance - by Linda Dessau
Stage fright can be an incredibly debilitating condition that can keep artists locked away in their own homes, carefully guarding their creative gifts. Then those gifts never see the light of day, and they're never seen by the world. And stage fright doesn't only inhibit performing artists. If you're not a performer, you can substitute the word performance with any creative situation that really scares you, or puts you in a position of feeling like you have to measure up or get out of your comfort zone.

Sexing Up Little Sister - Why TV Child Stars Fail As Adult Actors  By Jess Barron and Allyson Krieger
"The recent death of former "Diff'rent Strokes" child star Dana Plato highlights again the issue of including children in the competitive (some might say cutthroat) entertainment industry. Although there have long been questions about ethics and exploitation, one remains especially intriguing: Why can't television's child stars find success as adult actors?"

Soul Workout - By Laura Weinert [Backstage]
Psychologist Marilyn Jacovsky, Ph.D. says "We all start at a place of being different. It's just an affection for that difference that allows you to call yourself an artist." That affection, said Jacovsky, can take actors a lifetime to cultivate. It's no easy task to arrive at a healthy sense of self-acceptance, and yet without it, it can be hard to maintain the confidence to hang in this business long enough to find work. It can also be hard to do the work itself.

Supporting creative achievement - an interview with therapist Lynne Azpeitia
"The people I see are multitalented, creative and artistic high-achieving persons. ... "People are capable of being expressive, but often they are interfered with or misinterpreted in these areas. So my job is to help them identify when they are in that fluid and creative state, and help them look at how they got there, and on purpose how to make those things happen."

Tips of the trade / Audition Angst - by Margie Haber [posted on her site - reprinted from Backstage West]
The Vision Thing - The Actor's Way by Karen Kondazian
"After working with creative people for years, psychologist Dr. Robert Maurer advises actors to remember the grandeur of their calling and enjoy their everyday triumphs." - from Maurer's site / media section: scienceofexcellence.com

'To be or, or... um... line!' [press release]
"How do you learn all those lines?" It is the question most asked of actors and their art. The ability to remember and effortlessly deliver large quantities of dialogue verbatim amazes non-thespians. Actors often don't consciously try to memorize lines at all. What gives actors their seemingly effortless memory capabilities? Could acting teach us something about memory and cognition, and could acting principles help those with memory problems?

The Vision Thing - by Karen Kondazian
“The people who love their craft and see themselves as artists, and carry that identity through and study each day, who use walking down the street as a place to study and observe, who absorb every person they meet because they don't know when that person might show up in an artistic endeavor, are the people who thrive. To me, that's the only definition of success that matters.” Psychologist Dr. Robert Maurer.

Warrior Women On Screen by Douglas Eby
"If you read a lot of Chinese literature, there have always been very strong women figures -- warriors, swordswomen -- who defended honor and loyalty with the men." Actor Michelle Yeoh

The way that we say things often masks the anxiety that we're feeling - by Eric Maisel, PhD
We have our little linguistic tricks that help us avoid the experience of anxiety, but those same linguistic tricks keep us from doing the work that we hope to do and prevent us from achieving our goals. [examples:] "I have this screenplay I want to write but I don't know how to begin it." / "I could make a short video but a long one feels too difficult." / "I can't see the point in auditioning for that - I'm just not the type."

Women and Violence On Screen by Douglas Eby [also at WHOOSH]
Actors have found some of their juiciest and most pleasurable roles in playing the bad guy or tough guy, or someone willing to use a weapon to protect or avenge. More and more, those actors are women..

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